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Eleonora Orlando

He obtained a Master in Philosophy from the University of Maryland and a Ph.D. in Philosophy from the University of Buenos Aires. She is an Associate Professor in the Chair of Language Philosophy at the University of Buenos Aires and Associate Researcher at the National Council for Scientific and Technical Research. Since the beginning of 2015, she has served as President of the Argentine Society of Philosophical Analysis (SADAF) and editor-in-chief of the Philosophical Analysis magazine. He has devoted himself to the theory of reference, semantic contextualism, the relativism of truth and the semantics of fictional terms, and the relationship between reflection on language and metaphysics. Likewise, in recent years, he has also devoted himself to the study of aesthetic issues, in particular, the philosophy of literature. I have published the book Conceptions of reference (Buenos Aires: Eudeba, 1999) and compilations of articles Meanings in context and relative truth. Essays on semantics and pragmatics (Buenos Aires: Title, 2015) and, together with A. Moretti and N. Stigol, A half a century of logical forms, reality and meaning. Tribute to Thomas Moro Simpson (Buenos Aires: Eudeba, 2016).

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Eleonora Orlando

Fictional names, mind files, and declarative speech acts

 

Resume:

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In this talk I propose to defend the thesis that fictional names refer to individual concepts, understood as mental files. Such concepts make up the set of constitutive thoughts, together with the corresponding sentences, of what I call 'the conceptual world of a fictional story'. In my defense of this thesis, I reinterpret the distinction between fictive, parafictive, and metafictive uses of sentences containing fictional names. Fictional uses are analyzed as declarative speech acts of different types: they include both original uses, through which an author introduces a name during the process of creating a story, and reproductive uses, which depend on insertion into a string. communication that leads to that story. Parafictive uses, conceived as assertive-declarative mixed speech acts, are those in which the fictional story is reformulated by creating another conceptual world that constitutes an interpretive extension of the story. Finally, metafictive uses are understood as assertive uses, determining another extension of the story, which, unlike the previous one, provides a critical interpretation or informed by the categories of literary criticism.

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